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Monday, June 24, 2024

"FREQUENCY" (2000) Review

 













"FREQUENCY" (2000) Review

Directed by Gregory Hoblit and written by Toby Emmerich, "FREQUENCY" is an entertaining and intriguing time travel story about a New York City firefighter in 1969, who is able to communicate with his adult son in 1999, via a short wave radio. The movie starred Dennis Quaid and James Cavielzel.

A rare atmospheric phenomenon – the Aurora Borealis - allows a New York City firefighter named Frank Sullivan (Quaid) to communicate with his police detective son, John Sullivan (Cavielzel) 30 years in the future via short-wave radio. John uses this opportunity to warn Frank of his impending death in a warehouse fire, and manages to save the latter’s life. However, what he does not realize is that changing history has triggered a new set of tragic events that leads to the murder of his mother, Julia Sullivan. Father and son must now work together - 30 years apart - in order to change history and find the murderer before he can strike again.

Many have compared the plot lines of "FREQUENCY" to the 1985 classic, "BACK TO THE FUTURE". I never understood why. Many time travel stories have dealt with different generations within a family interacting with each other – including two episodes of the television fantasy series, "CHARMED". What made "FREQUENCY" unique . . . at least for me is that neither of the two major characters actually travel through time – whether through the use of magic or a time machine. In fact, not one character does. Frank and John Sullivan communicate with each other via a short wave radio and the atmospheric phenomenon, the Aurora Borealis. The father and son pair also manage to change time . . . without leaving their respective time period. I must admit that screenwriter Toby Emmerich had written a very clever screenplay.

Another reason why I find the comparisons between "FREQUENCY" and "BACK TO THE FUTURE" hard to buy is the fact that "FREQUENCY" is not only a time travel story, but also a thriller. In another clever plot twist, there is a serial killer loose called "the Nightingale" who is murdering nurses in 1969. The case is re-opened in 1999 by John and his partner/mentor, an old friend of his father named Satch DeLeon, when an old corpse is discovered. As it turned out, the Nightingale killings had stopped after three victims, following Frank’s death in a warehouse fire. But when John warns Frank of his impending death, the latter manages to save his life and that of a teenage girl. And his wife Julia, who is a nurse, is at the hospital to save the life of the killer, a cop named Jack Shephard . . . instead at home, mourning a dead Frank. This act leads to the deaths of six nurses and eventually, Julia. Realizing the consequences of their actions, Frank and John race to save Julia’s life and the lives of Shephard’s other victims – and expose the cop as a serial murderer.

I must say that I ended up being very impressed by Emmerich’s script. He wrote an emotional and suspenseful story filled with family drama, fantasy and suspense. He took an original approach to time travel by having the two main characters interact through time via an object – namely a shorthand radio – without actually leaving their respective time periods. The only misstep in Emmerich’s script occurred near the end in which featured Shepard’s attempt to kill members of the Sullivan family in both 1969 and 1999 – two incidents that cut back and forth within one sequence. I understood the killer’s attempt to kill Julia in 1969. He wanted to get even with Frank for preventing him from killing some of his other victims. Shephard's murder attempt in 1969 ended with Frank blowing away Shephard’s hand with a shotgun before the latter escaped. But he came back to the Sullivan house, thirty years later to kill John. At first, I found the entire sequence rather confusing. I think it had to do with how the sequence was shot. Although I found most of Gregory Hoblit's direction first-rate, I must admit that I found his handling of this particularly sequence rather confusing. David Rosenbloom's editing did not help matters. In the end, I had to read the movie's synopsis to discover what was going on.

When Hoblit took on the job as director of "FREQUENCY", he had difficulty in casting the two leads. Sylvester Stallone was originally considered for the role of Frank Sullivan. But Stallone pulled out over a dispute regarding his paycheck. In the end, Dennis Quaid won the role. And he turned out to be the perfect Frank – the boisterous and charming firefighter who loved his family and baseball. He managed to create a strong chemistry with the talented and surprisingly dark-haired Elizabeth Mitchell, who gave a charming performance as his wife, Julia. And despite the fact that both actors came from Texas (although Mitchell was born in Los Angeles), Quaid and Mitchell managed to create a convincing Queens accent. Well . . . almost. Andre Braugher gave excellent support as Satch, Frank’s close friend and John’s mentor. He also had a delicious moment on screen when he discovered that Frank had been telling the truth about communicating with John through time. Emmerich's brother, Noah Emmerich, gave a funny performance as John’s best friend, Gordo Hersch. I also have to give kudos to Shawn Doyle for portraying a convincingly scary killer without any signs of acting histrionics. And of course, there is James Cavielzel, who did an excellent job of portraying Frank and Julia’s brooding and slightly obsessive adult son, John Sullivan. And although Cavielzel comes from the Pacific Northwest, his Queens accent turned out to be slightly better than Quaid and Mitchell’s. Hoblit managed to gather quite a cast and he did an excellent job with them.

Despite my misgivings over the film’s climatic action sequence featuring the two attacks upon the Sullivan family, I must admit that I enjoyed "FREQUENCY" very much. Screenwriter Toby Emmerich created a first-class and very original screenplay. And director Gregory Hoblit did an excellent job of conveying Emmerich’s story with a group of talented actors led by Dennis Quaid and James Cavielzel, and a competent crew that included film editor David Rosenbloom. Not only is "FREQUENCY" is a compelling science-fiction story about time travel and the consequences; it is also a suspenseful thriller and heartwarming family drama. I highly recommend it.





Sunday, June 16, 2024

"EDWARD & MRS. SIMPSON" (1978) Photo Gallery

 











Below are images from "EDWARD AND MRS. SIMPSON", the 1978 adaptation of the events leading to the 1936 abdication of King Edward VIII of Great Britain. Based upon Frances Donaldson's 1974 biography, the seven-part miniseries starred Edward Fox and Cynthia Harris:




"EDWARD AND MRS. SIMPSON" (1978) Photo Gallery

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Thursday, June 13, 2024

"BAND OF BROTHERS" (2001) - Episode Six “Bastogne” Commentary

 












"BAND OF BROTHERS" (2001) - Episode Six "Bastogne" Commentary

This sixth episode of ”BAND OF BROTHERS” featured the experiences of Easy Company during the Battle of the Bulge and their participation in the Allies’ efforts to hold the ground near Bastogne, Belgium; while low on ammunition and supplies. The episode focused on Easy Company medic, Eugene "Doc" Roe, as he tended his fellow soldiers where he can, while also scrounging for medical supplies.

”Bastogne” turned out to be the first of two episodes centered on Easy Company’s experiences in Belgium. Shown from Eugene Roe’s point-of-view; the audience saw Easy Company deal with many difficulties and traumas during this campaign. Aside from ammunition and supplies, Roe and the company had to deal with freezing temperatures, low morale, the encircling German Army and worst of all, an ineffectual company commander by the name of Norman Dike. The episode featured a good deal of combat sequences. But since they were shown through “Doc” Roe’s eyes, the audience’s views of these sequences were at best minimal.

One sequence had First Platoon on a reconnaissance patrol in order to probe for the German line. The patrol led to several wounded troopers and the death of a replacement trooper named Private Julian. Supporting characters like Lieutenant Harry Welsh and Wayne "Skinny" Sisk suffered serious leg wounds from occasional German artillery shelling. And Walter “Smokey” Gordon was wounded and paralyzed during a German tank assault. During this time, Roe struck up a fictionalized friendship and potential romance with a Belgian nurse named Renée LeMaire. Their relationship ended in tragedy, when Renée was killed during the German bombing of Bastogne on Christmas Eve. Replacement trooper Edward “Babe” Heffron also figured heavily in ”Bastogne”. Although the episode was mainly told from Roe’s point-of-view, it allowed one sequence told from Babe’s point-of-view. In it, Babe and another medic named Ralph Spina had a humorous encounter with German troops in a foxhole, while searching for medical supplies for Easy Company.

There are three episodes of ”BAND OF BROTHERS” that I consider to be personal favorites of mine. And one of them is ”Bastogne”. In my reviews of episodes like "Day of Days" and "Replacements", I had complained of the lack of epic scope in episodes that featured important and historic battles. In ”Bastogne”, director David Leland and screenwriter Bruce C. McKenna gave the episode that epic scope needed for an episode about the famous siege of Bastogne. And the fact that they told the episode through the eyes of medic Eugene Roe made their efforts all the more amazing. Was this particular episode filmed inside a soundstage? It is possible. If it was, I am impressed. I wish I knew the name of the production designer for this particular episode, because he or she did a magnificent job in re-creating the Ardennes Forest during the winter. I also found the photography very impressive, especially in the scene that featured the Army Air Corps’ attempt to re-supply the division by air and the German bombing of Bastogne near the end of the episode. Once again, ”BAND OF BROTHERS” allowed viewers to get a peek into the personal interactions between the troopers of Easy Company. Most of these interactions occurred during Christmas Eve . . . right before Harry Welsh was wounded by German artillery. However, I also enjoyed the two major interactions between Roe and Heffron – especially one scene in which both Roe and Spina tried to comfort Heffron, who was distraught over Private Julian’s death.

”Bastogne” featured some excellent performances from certain members of the cast. Neal McDonough gave a subtle and convincing performance as platoon leader Lieutenant Lynn “Buck” Compton , whose emotional stability seemed to be in danger of spiraling out of control after getting shot in Holland. Another memorable performance came from actress Lucie Jeanne, who portrayed Renée Lemaire, the Belgian nurse in Bastogne that Roe befriended. Robin Laing got a chance to shine as Edward “Babe” Heffron, the replacement trooper that hailed from Bill Guarnere’s Philadelphia neighborhood. He was especially effectively poignant in a scene in which Heffron grieved over Private Julian’s death. But the star of this particular episode was Irish-born actor Shane Taylor. Recalling my complaint about the questionable American accents of some of the British cast members, I can happily say that Taylor was not one of them. He did an excellent job in recapturing the Louisiana-born Roe’s native accent. More importantly, he gave a subtle, yet superb performance as the quiet and efficient medic, struggling to perform his duty and prevent himself from getting affected by the suffering around him. In the end, Taylor not only gave one of the miniseries’ best performances, but also managed to carry a very important episode on his shoulders.

”Bastogne” is not completely perfect. Despite the strong chemistry between Taylor and Jeanne, there were moments when I found the nuance of their relationship – especially the silent exchange of glances – a bit heavy-handed. And I am somewhat confused about the fate of the wounded men that Roe escorted to one of the hospitals in Bastogne. Earlier in the episode, he had escorted Sisk and Gordon to the hospital where Renée worked. He was about to deliver Welsh to the same hospital, when he witnessed its destruction from German bombers. The episode made it clear that Bastogne had remained encircled by German forces, until the arrival of elements from General George C. Patton’s Third Army on December 26, 1944. So . . . what happened to Sisk and Gordon? They did not meet Renée’s fate. Both men had survived the war. How did they get out of that hospital and Bastogne before the December 24 bombing?

Perfect or not, ”Bastogne” is one of my personal favorite episodes in ”BAND OF BROTHERS”. And thanks to director David Leland, screenwriter Bruce C. McKenna and actor Shane Taylor, the episode conveyed an epic point-of-view of the siege of Bastogne that made it one of the best (at least in my opinion) episodes in the entire miniseries.





Five Favorite Episodes of "STAR TREK DEEP SPACE NINE" Season Two (1993-1994)

    Below is a list of my five favorite episodes from Season Two of  "STAR TREK DEEP SPACE NINE" . Created by Rick Berman and Mich...