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Monday, December 15, 2025

Top Five Favorite Episodes of "MANHATTAN" (2014-2015)

 












Below is a list of my five favorite episodes from the 2014-2015 WGN series, "MANHATTAN". Created by Sam Shaw, the series starred John Benjamin Hickey and Olivia Williams:



TOP FIVE FAVORITE EPISODES OF "MANHATTAN" (2014-2015)










1. (2.07) "Behold the Lord High Executioner" - In this episode, the second Los Alamos base's commander, Colonel Emmett Darrow, engages in the hunt for a possible spy after the son of a Native American cleaning woman stumbles across a can filled with equations.
















2. (1.12) "The Gun Model" - Dr. Reed Akley, lead scientist for the Thin Man bomb design of the Manhattan Project, becomes vulnerable when he tries to fix the design's shortcomings.














3. (1.02) "The Prisoner's Dilemma" - When Dr. Frank Winter, lead scientist for the Manhattan Project's implosion design, attempts to save his team from being shut down, his action leads to serious consequences for team member Dr. Sid Liao.

















4. (2.10) "Jupiter" - While the countdown to the first nuclear weapon test commences, Dr. Frank Winter races to apprehend a Soviet spy who intends to sabotage the gadget in the series finale.














5. (1.05) "A New Approach to Nuclear Cosmology" - When Dr. Glenn Babbit's past comes back to haunt him, Frank clashes with newcomer Dr. Charlie Isaacs to protect his mentor and team member.






Sunday, December 7, 2025

"DIRTY DEEDS" (2002) Review

 

















"DIRTY DEEDS" (2002) Review

Written and directed by David Caesar, the 2002 movie "DIRTY DEEDS" is a gangster comedy about an Australian mobster who finds himself besieged by the American Mafia when his lucrative casino business, buoyed by the influx of U.S. soldiers in town for R&R during their tours in Vietnam in 1969, attracts their attention. The comedy starred Bryan Brown, Toni Collette, John Goodman, Sam Worthington and Sam Neill.

This quirky and slightly black comedy centered on an Australian mobster named Barry Ryan (Bryan Brown), who seemed to have it all in 1969. He has a successful casino business, a feisty wife named Sharon who loves him (Toni Collette); Darcy, his nephew who has just returned from military service in Vietnam (Sam Worthington) and might be a potential enforcer for him; a needy and beautiful young mistress named Margaret (Kestie Morassi); and Ray, a corrupt police officer in his pocket who can keep him out of jail (Sam Neill). However, all good things usually come to an end . . . or is threatened. And in Barry’s case, this happens when the American Mafia decides it wants a piece of Barry’s action with the casino. Even worse, Barry has to deal with a trigger-happy rival who wants to drive him out of business. The two American mobsters named Tony and Sal (John Goodman and Felix Williamson) arrive and both Sharon and Ray advise Barry to show them a good time, until he can find a way to get rid of them without attracting more unwanted attention from the Mafia. However, Darcy has also proved to be a problem. The Vietnam War veteran seemed to have no taste to become a gangster. And he ends up falling in love with Margaret, Barry’s mistress. And Margret has fallen in love with Darcy.

One of the reasons why I liked ”DIRTY DEEDS” so much was that its plot seemed character driven. I am not saying that the movie was all characterization and no plot. Oh contraire. But Caesar’s script allowed each major character’s desires and fears to drive the plot. Which I definitely enjoyed. And each character – aside from the younger American mobster portrayed by Williamson – found either their livelihoods or lives threatened. And even when certain characters end up as opponents – Barry and Tony over the former’s casino business, Barry and Darcy over Margaret, and Sharon and Margaret over Barry – I found myself rooting for them all. Once again, I have to compliment Caesar’s writing for creating a group of interesting and very complex characters. The one character who failed to win anything in the end turned out to be the trigger happy Sal, who seemed so certain of his superiority as an American and a Mafia hit man that he failed to realize that he was out of his depth before it was too late. And while watching ”DIRTY DEEDS”, I was surprised to learn that Australian soldiers had served in Vietnam during the 1960s.

I also have to give kudos to Caesar for collecting a first-rate cast. I was more than surprised to discover that Australian actor Felix Williamson had been cast in the role of Mafia hit man, Sal. Although Sal is not what one would describe as a multi-dimensional character, Williamson managed to shine in one scene that featured Sal’s chilling and arrogant revelation to Darcy about how the Mafia was able to profit from the American presence in Vietnam. Sam Neill gave a deliciously cynical performance as the corrupt and pragmatic police officer Ray, who decided to bide his time and see who would emerge as the winner in the tug-of-war between Barry and the Mafia visitors. Ketsie Morassi earned a Best Supporting Female Actor award from the Film Critics Circle of Australia for her portrayal of Margaret, Barry’s young mistress. Morassi managed to expertly transform Margaret from the desperate young mistress trying to project a sophisticated façade to the relaxed young woman who found herself falling in love with her lover’s nephew.

When I first saw the summer movie, ”TERMINATOR SALVATION”, it occurred to me that Sam Worthington looked oddly familiar. I finally recalled seeing him in my first viewing of ”DIRTY DEEDS”. In this movie, he gave a relaxed performance as Barry’s charming nephew, the Vietnam War veteran Darcy. Worthington’s Darcy was so charming and forthright that it was easy to see why Margaret fell in love with him. And why Tony started to regard him as a son. But that easy-going nature also contrasted with Darcy’s growing uneasiness that he was not cut out to be a mobster, let alone become his uncle’s new enforcer. And being the talented actor that he is, Worthington managed to convey Darcy’s angst over his relationship with Barry with great ease. John Goodman’s performance as the older Mafioso Tony seemed just as relaxed as Worthington’s performance . . . and nuanced. Unlike the arrogant Sal, his Tony is a weary gangster who has come to regret his decision not to follow in his uncle’s footsteps as a restaurant owner and become a professional criminal, instead. Although he manages to hold his own in his dealings with Barry, Tony senses a kindred spirit in Darcy and tries to prevent the younger man from following into Barry’s footsteps.

Bryan Brown was naturally at the top of his game as the ruthless, yet besieged mobster, Barry Ryan. He is probably one of the few actors I believe is capable of portraying tough and masculine types without overdoing it. And his Barry was tough and very masculine. But Brown also managed to convey Barry’s anxiety that he might not be able to fend off the American takeover of his business . . . or his insecurity over the fact that his mistress prefer a younger man over himself. If I were to choose my favorite character in this film, it would have to be Sharon Ryan, portrayed by the always talented Toni Collette. Hell, the woman almost stole the picture from everyone else as the feisty, yet supportive mobster wife, who turned out to be more ruthless than her husband. She certainly earned a well deserved Best Female Actor nomination from the Film Critics of Australia. If I had my way, I would have handed over the award to her.

By the way, I have to give kudos to production designer Chris Kennedy, art director Chris Batson, and costume designer Tess Schofield for doing an excellent job for saturating the firm in a late 1960s atmosphere. Schofield took it further by conveying the generational differences between the characters in their costumes. Whereas Barry, Tony, Ray and Sharon’s costumes reflected their generation’s more conservative tastes, Margaret and Darcy’s reflected their generation’s participation in the Swinging Sixties. Geoffrey Hall’s cinematography struck me as pretty solid, but I cannot help but wonder how he felt about a certain scene that I found questionable. I am referring to the sequence that jumped back and forth between Tony and Sal’s participation in Barry’s boar hunt in the Outback and Barry’s Michael Corleone’s style murders of the Americans’ allies – his rivals and a traitor in his organization – back in Sydney. Frankly, it did not work for me. I now understand that Tony and Sal’s boar hunting was supposed to serve as a metaphor of Barry’s hunt of his enemies. But the whole sequence struck me as a bit sloppy and confusing . . . and I could have done without it.

Despite my one quibble about the movie, I can honestly say that I really enjoyed "DIRTY DEEDS". David Caesar had written and directed quirky and entertaining movie about Australian criminals and the effects of the Vietnam War in 1969. The movie’s cast and the production crew also did an excellent job of projecting the movie’s late 1960s setting. I had enjoyed this movie so much that I bought a DVD copy of it.





Friday, November 21, 2025

"BAND OF BROTHERS" (2001) - Episode Ten "Points" Commentary

 













"BAND OF BROTHERS" (2001) - Episode Ten "Points" Commentary

”BAND OF BROTHERS” finally came to an end in this tenth episode that featured Easy Company’s experiences as part of the U.S. Army of occupation, following Germany’s surrender in Europe. This marked the third episode that featured Richard Winters as the central character and the second with his narration.

Told in flashback via Winters’ narration, ”Points” opened in July 1945, with Dick Winters (Damian Lewis) enjoying a morning swim in an Austrian lake, while being watched by his best friend, Lewis Nixon (Ron Livingston). After the two friends spend a few minutes looking at regimental photos, Winters recalls the experiences of Easy Company during the last days of the war in Europe and their role as part of an occupational force. Two months earlier, the company manages to capture Eagle's Nest, Adolf Hitler’s high mountain chalet in Berchtesgaden. Following Easy Company’s capture of Berchtesgaden, they receive news of Germany’s surrender to the Allied Forces. Easy’s remaining stay in Germany does not last long. They, and the rest of 2nd Battalion, are sent to Austria as part of the U.S. Army’s occupational force. Easy Company battled boredom, various departures, the death of Private John Janovec (Tom Hardy) in a jeep accident, the shooting of Sergeant Chuck Grant (Nolan Hemmings) by a drunken American soldier, and a mixture of anticipation and anxiety over the possibility of being shipped to the Pacific. The miniseries ended with a visit by a recovered Lynn “Buck” Compton (Neal McDonough) and the revelations of the men’s post-war lives.

”Points” proved to be a mildly interesting episode about what it was like for World War II veterans to serve as part of an occupational force in Europe, following Germany’s defeat. Many of the incidents featured in the last paragraph certainly prevented the episode from becoming dull. And thanks to Erik Jendresen and Erik Bork’s screenplay, along with Mikael Salomon’s direction; ”Points” provided other interesting scenes. One featured a tense scene that saw Joe Liebgott (Ross McCall), David Webster (Eion Bailey) and Wayne A. "Skinny" Sisk (Philip Barrantini) assigned to capture a Nazi war criminal. Private Janovec’s conversation with a German veteran at a road checkpoint provided a good deal of subtle humor for me. Another humorous scene featured Winters and Nixon’s encounter with a still resentful Herbert Sobel (David Schwimmer), who proved to be very reluctant to salute the now higher ranked Winters. One scene that really grabbed my attention featured most of the 506th regimental officers watching a newsreel about the fierce Battle of Okinawa in Japan. Not only did that scene remind viewers the fate that Easy Company had managed to evade with the surrender of Japan, it also proved to be an unintentional foreshadow to Spielberg and Hanks’ World War II follow-up, ”THE PACIFIC”.

Once again, Damian Lewis gave a subtle, yet exceptional performance as the miniseries’ leading character, Richard Winters. But I was also impressed by Matthew Settle’s fierce portrayal of a frustrated and somewhat tense Ronald Spiers, who struggled to keep Easy Company together, despite their travails as part of an occupying force. And I was pleasantly surprised by Peter Youngblood Hills’ poignant performance in a scene that featured Darrell C. “Shifty” Powers’ private farewell to Winters.

I do have one major complaint about ”Points”. I did not care for the fact that miniseries did not reveal the post-war fates of “all” of the surviving members of Easy Company. The only characters whose lives we learned about were most of those seen in Austria, at the end of the episode . . . but not all. The episode never revealed what happened to Edward “Babe” Heffron or Donald Malarkey, who were also in Austria, by the end of the miniseries. And viewers never learned of the post-war fates of veterans such as William “Bill” Guarnere, Walter “Smokey” Gordon, Joe Toye, Roy Cobb, Les Hashley, Antonio Garcia, and yes . . . even Herbert Sobel.

Despite my major disappointment over how the episode ended, I still enjoyed ”Points”. I would never consider it to be one of my favorite episodes of ”BAND OF BROTHERS”. But it did not put me to sleep. However, it still managed to be a satisfying end to the saga.





Saturday, November 15, 2025

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Below are photos from the 2004 miniseries, <b>"NORTH AND SOUTH"</b>.  Based upon Elizabeth Gaskell's 1855 novel, the miniseries starred Daniela Denby-Ashe and Richard Armitage.  Brian Percival directed:   <lj-cut>



<b>"NORTH AND SOUTH" (2004) Photo Gallery</b>


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Friday, November 14, 2025

"LIFE OF PI" (2012) Review

 












"LIFE OF PI" (2012) Review

Every now and then, Hollywood tends to go into a tizzy over a movie directed by Ang Lee.  Back in 2012, the industry and media had focused their admiration over "LIFE OF PI", Lee's adaptation of Yann Martel's 2001 fantasy-adventure novel. The movie had earned at least eleven nominations and won at least four, including a second Best Director Academy Award for Lee.

"LIFE OF PI" begins in early 21st century Canada; when a local writer is advised to interview a middle-aged immigrant from Puducherry with a very interesting story to tell. Pi Patel then proceeds to tell the writer about his family and childhood in Puducherry. According to Patel, his father owned a zoo and it was there he first met the zoo's new Bengal tiger called Richard Parker. When Patel was 16 years old, his father announces his intention to move the family to Winnipeg, Canada. There, he plans to sell the zoo animals and live. Pi, saddened by the idea of leaving his family and his new love, does not take the news very well.

The family books passage aboard a Japanese freighter called the Tzimtzum. During the voyage, the Tzimtzum begins to founder during a heavy storm, while Pi is on deck. Before he can find his family, a crew member throws him into a lifeboat. As the ship begins to sink, a zebra leaps into the lifeboat and injures himself. The rest of Pi's family along with other passengers and crewmen die as the Tzimtzum sinks. Once the storm is over, Pi discovers that other animals had made their way into the lifeboat - an orangutan and a hyena. The hyena angers Pi by killing the zebra and then the orangutan. Before he can do anything about it, the tiger Richard Parker suddenly emerges from under the lifeboat's tarp and kills the hyena. Pi is left alone with Richard Parker, in which the two continue the journey as wary adversaries. By the time their journey ends on the Mexican coastline, they have become friends before Richard Parker disappears into the jungle.

When I first saw the trailer for "LIFE OF PI", I did not want to see it. Period. Despite my knowledge that the movie had been directed by Ang Lee - of whom I am a fan - I did not want to see it. I did not want to see a movie about a boy surviving God knows how many days in a lifeboat with a tiger. End of story. When the movie was finally released in theaters, I went out of my way to avoid it . . . despite the positive press from the film critics. And even when it had accumulated so many Golden Globe and Academy Awards nominations, I still refused to see it. I finally came around and saw "LIFE OF PI" when it was finally released on DVD. Did I regret missing it while it was in the theaters? Hmmmmm . . . not really. But I must admit that it was a pretty damn good film.

One . . . it had a good story. Lee, along with screenwriter David Magee did an excellent job in setting up Martel's story on screen. The movie devoted at least a good half hour into Pi's family background and his childhood. They especially took care in revealing his parents' philosophies - something that would profoundly affect his harsh ocean journey from Puducherry to Mexico. They also did an excellent job in utilizing the literary device of the flashback, using middle-age Pi's interview with a journalist. In fact, I believe that this device, along with Pi's first-person (whether he was the 16 year-old boy or the middle-aged man) narration help keep the story alive for me.

There were other aspects of "LIFE OF PI" that impressed me. Mychael Danna won a much deserved Academy Award for writing the movie's score. Mind you, I could not remember it for the likes of me. But I do recall how perfectly it meshed with the film's narration. I also have to commend the beautiful visual effects created by the now bankrupt Rhythm & Hues Studios. Their visuals - especially of the animals featured in this movie - struck me as breathtaking. Although some of the animals, like those featured in Pi's lifeboat, seemed real; while others like the meerkats on the floating island seemed more artistic than real. I especially enjoyed the sequence in which Pi's lifeboat encountered a breaching Humpback whale and the school of dolphins.

I can see many shaking their heads over my review so far. How could I have enjoyed this movie so much, if I did not regret missing it in the theaters? Remember my reason why I originally avoided the film in the first place? I did not want to see a movie about a boy and a tiger in a lifeboat. While watching the movie, I found myself wishing that the entire sequence featuring Pi and "Richard Parker" could have been shorter. It almost seemed to go on . . . forever. This sequence also brought back some not-so-pleasant memories of Tom Hanks and a volleyball named Wilson in the 2000 film, "CASTAWAY". I felt relieved when Hanks' character was finally rescued by a freighter in that movie. While watching "LIFE OF PI", I eventually fell asleep before Pi and "Richard Parker" reached the floating island of the meerkats and Mexico. I woke up just in time to witness the escape from the meerkats island. Why did it have to take so long? I realize that the movie was about Pi's emotional and spiritual journey aboard that lifeboat.  But did it have to take so long? Oh well. It was still a damn good movie that ended on a very satisfying note.

From what I had read, Ang Lee had personally selected 17 year-old Suraj Sharma to portray the 16 year-old Pi. And I must say that Sharma gave a stupendous performance. Along with Lee's direction and the visual effects, Sharma really made that movie. He did an excellent job in conveying Pi's journey from innocence to heartbreak to spiritual maturity. And I am astounded that the Academy of Motion Picture Arts and Sciences had failed to nominate him for a Best Actor award. What in the hell were they thinking? I realize that the competition was pretty tough for 2012, but still . . . he should have been considered among the top three nominees.

The cast also benefited from excellent supporting performances from Irrfan Khan, who was excellent as the mature Pi. Rafe Spall was charming as the Canadian writer who interviewed Pi. Tabu gave an emotionally satisfying performance as Pi's mother Gita Pitel. And I was certainly impressed by Adil Hussain's commanding portrayal of Pi's father, Santosh Patel. Gérard Depardieu was certain memorable as the Tzimtzum's unpleasant cook. And James Saito added a great deal of intensity to the heartbreaking scene featuring an interview between Pi and the older Japanese insurance investigator. It was good to see him again.

What else can I say about "LIFE OF PI"? It was a beautiful and heartbreaking adaptation of Yann Martel's novel. Once again, Ang Lee proved to the world that when he puts his heart and soul into a film, he can create something beautiful. And he was ably supported by an excellent cast led by the very talented Suraj Sharma, Rhythm & Hues Studio's visual effects and Mychael Danna's score. I do not think I would ever love this movie. I am sorry, but I could not deal with so many minutes devoted to a boy and a tiger in a boat. But I must say that I enjoyed it very much.





Saturday, November 8, 2025

"LOST" Commentary: "Confusion Over Time Travel"

 
















"LOST" COMMENTARY:  "CONFUSION OVER TIME TRAVEL"

I did a recent rewatch of the "LOST" Season Five episodes, (5.02) "The Lie" and (5.03) "Jughead".  After viewing it, I had come to a realization about the Oceanic 815 and the S.S. Kahana castaways left behind on the island, following the Oceanic Six and Ben Linus' departures.

The second half of "The Lie" featured the Oceanic castaways, former member of the Others Juliet Burke and the Kahana freighter survivors being under attack by the Others in 1954 with flaming arrows. I can recall seeing many figures attempt fleeing or attempting to into the jungle in order to survive. But now . . . I find myself wondering why did all of the remaining inhabitants at the Oceanic beach camp had skipped through time. Why all of them? And why am I questioning this writing decision?


The season's sixth episode, (5.06) "316", saw the Oceanic Six (sans Aaron Littleton), former Others leader Ben Linus, and pilot Frank Lapidus (who had been part of the Kahana crew three years earlier) return to the island on Ajira Flight 316 during the fall of 2007.  Of this group, only Jack Shephard, Kate Austen, Hugo "Hurley" Reyes and Sayid Jarrah had disappeared from the plane and traveled back in time to 1977.  Thanks to Frank's piloting skills; he, Sun-Hwa Kwon, Ben, and the rest of the Ajira 316 passengers and crew had landed on Hydra Island, the small island close to the main one.  At least those who had survived.  They did not time traveled back to 1977.  Instead, they had remained in 2007.

Here is another interesting tidbit.  In "The Lie", both James "Sawyer" Ford and Dr. Juliet Burke had noted that the zodiac inflatable boat that Dr. Daniel Faraday had been using to transport Neil Frogurt and other Oceanic 815 castaways from their beach camp to the S.S. Kahana during the Season Four finale, (4.12-4.14) "There's No Place Like Home", had also traveled through time with the castaways.  Even while it was beached.  Juliet had pointed out that it must have traveled along with them because Daniel and the five Oceanic castaways had been traveling toward the freighter when the time traveling began.  

I had also realized that only certain characters had played roles in the incident regarding the Dharma Initiative's drilling into the island and the detonation of the Jughead in 1977.  They included:

*John Locke
*Dr. Daniel Faraday
*Dr. Jack Shephard
*Kate Austen
*Sayid Jarrah
*James "Sawyer" Ford
*Dr. Juliet Burke
*Miles Straume
*Hugo "Hurley" Reyes
*Jin-Soo Kwon
*John Locke
*Dr. Charlotte Lewis
*Rose Nadler
*Bernard Nadler

How did they play a role? 

*Locke, with the help of his fellow castaways, had left on the island, using the Donkey Wheel and electromagnetic energy inside the Orchid Station.  He wanted to contact the Oceanic Six and convince them to return to the island in order to save those left behind.  His death in Los Angeles set in motion the events that led to "the Incident".

*Unlike her fellow time travelers, Charlotte had never ended up in the 1970s and become part of the Dharma Initiative, due to her death from the time jumps.  But her death had led Daniel to join the Dharma Initiative's scientific staff at its headquarters in Ann Arbor, Michigan and consider the possibility of changing the timeline to save her.

*Daniel was the one who became aware of the Dharma Initiative's dangerous drilling into the island's electromagnetic energy in 1977.  He was also the one who tried to warn Dr. Pierre Chang about the dangers of this drilling.  And he was the one who came up with the idea to use an old U.S. Army hydrogen bomb named Jughead to stop the drilling and destroy the island's electromagnetic energy, in order to reset time and prevent the crash of Oceanic 815's crash in 2004 and Charlotte's death from time travel.

*Following Daniel's death at the hands of his mother, former Others leader Eloise Hawking; Jack decided to continue with Daniel's plans by contacting the Others in order to get hold of the Jughead bomb.  Like Daniel, he saw this as an opportunity to destroy the island's electromagnetic energy and prevent Oceanic 815's crash in 2004.

*At first, Kate was willing to help Daniel and Jack acquire the Jughead bomb.  Following Daniel's death, she found his idea implausible and dangerous and sought out Sawyer and Juliet's help to stop Jack's plan to detonate the bomb.  Her appearance aboard the Dharma submarine had convinced Juliet and a very reluctant Sawyer to return to the island.

*Sayid Jarrah, who had been hiding from the Dharma Initiative ever since his attempt to kill the 12 year-old Ben Linus, had appeared to help Kate break away from Jack and the paranoid members of the Others, led by Eloise Hawking.  He was also the one who had dismantled the core from the Jughead bomb and tried to rig it for detonation upon impact.

*Although Rose and Bernard Nadler had experienced the time skips during the first five episodes of Season Five, they had separated from their fellow castaways/time travelers following the Others' attack upon the castaways in 1954.  Kate, Sawyer and Juliet eventually encountered the couple in 1977, where they had established their own cabin near the beach.  A comment by Rose had produced a brief and affectionate glance between Kate and Sawyer, producing jealousy within Juliet.  This led the latter to eventually embrace Daniel and Jack's plans regarding the bomb and convince Sawyer to help Jack.  She had believed a time reset would spare her the possible pain of being rejected by Sawyer, in favor of Kate.

*Sawyer had served as the Dharma Initiative's Head of Security, until the latter discovered he was personally acquainted with the recently arrived members of the Oceanic Six.  He had made a deal for him and Juliet to leave the island by their submarine.  But Kate had convinced the couple to help her prevent Jack from detonating the bomb.  Sawyer led the group that eventually came to Jack's aid at the Swan Station construction site, when the latter found himself trapped by armed Dharma personnel.

*Miles Straume (Dr. Chang's son), Jin-Soo Kwon and "Hurley" Reyes had all joined Sawyer, Juliet and Kate in their defense of Jack at the Swan Station construction site.

*During their three years with the Dharma Initiative, Juliet and Sawyer had fallen in love.  It was not surprising Juliet had developed a fear that Sawyer would renew his romantic interest in Kate.  This fear had finally took complete hold of her when she witnessed Sawyer and Kate's exchange of affectionate smiles at the Nadlers' beach camp.  This fear had driven Juliet to finally participate in Daniel and Jack's plans to use the Jughead bomb to change the timeline.  And this fear also drove Juliet to detonate the bomb, herself, when it had failed to do so after Jack had tossed it into one of the construction site's pits.

What is the point of all of this?  The above people had played a role in the incident regarding the Dharma Initiative's drilling and the Jughead bomb's detonation at the barely constructed Swan Station.  This detonation had finally stopped Dharma's drilling into the island and prevented a world-ending event in 1977.  In other words, the above people had played roles - major or minor - in saving the island and the world during that period.  

This meant Sun, the adult Ben, Lapidus and other passengers aboard Ajira 316 did not play a role in "the Incident" in 1977.  Neither did any of the other Oceanic castaways who had been left behind at their beach camp.  Which leads me to wonder why showrunners Damon Lindelof and Carlton Cuse had not allowed Ajira occupants Sun, Ben and Lapidus to travel back in time; but had allowed other nameless Oceanic castaways to time travel with Locke, Sawyer, Juliet, Daniel, Jin, Miles.  I understand why Frogurt and the four other Oceanic castaways had traveled through time.  They had been inside the Zodiac with Daniel, when the time skips began.  And since they had played no role in "the Incident", it was not surprising that Lindelof and Cuse had allowed the Others to kill them off in 1954. 

But what about the rest of the Oceanic castaways who had been left behind on the beach?  Lindelof and Cuse should not have allowed them to experience the time skips at all.  They had played no role in "the Incident".  Nor had they been inside the Zodiac boat with Daniel.  They should have remained behind at the Oceanic beach camp, in December 2004-January 2005.




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