"ROYAL FLASH" (1975) Review

 

"ROYAL FLASH" (1975) Review

Directed by Richard Lester, "ROYAL FLASH" is a 1975 adaptation of George MacDonald Fraser’s 1970 novel of the same title, the second in a series of twelve (or thirteen) novels and stories about a cowardly British Army officer during the Victorian Era. Both the novel and the movie are comedic spoofs of Anthony Hope’s 1894 novel, "The Prisoner of Zenda", about an Englishman assuming the identity of a look-a-like European prince.

This movie does not seem to be well-liked by many fans of THE FLASHMAN SERIES. One, it was adapted from one of Fraser’s least popular Flashman novels. Two, many of those fans balked at the idea of the medium-height blond Malcolm McDowell portraying the tall, dark-haired Harry Flashman. And three, many did not care how Richard Lester had included the same slapstick comedy that he had used in his two ”MUSKETEERS” movies. It is not surprising that "ROYAL FLASH" not only failed to make an impact upon the box office in 1975, it remained unpopular for many years.

I must admit that Fraser’s 1970 novel never became a favorite of mine. Because it was a send-up of "The Prisoner of Zenda", it struck me as being somewhat unoriginal. And while I managed to tolerate Lester’s slapstick humor in the "MUSKETEERS" movies, there were times when it seemed a bit too much in "ROYAL FLASH". Well . . . except in a few scenes in which I will comment upon later. As for Malcom McDowell being cast in the title role . . . I had no problems with his performance. In fact, I found it more than satisfying.

In a nutshell, "ROYAL FLASH" began with Captain Harry Flashman being feted in 1843 London for his heroic exploits during the disastrous First Anglo-Afghan War (1839-42). Actually, Flashman’s actions were less than heroic. Being the coward he was, he surrendered to the enemy . . . before British artillery saved him from captivity via a barrage. British troopers came upon his unconscious body – with him clinging to a Union Jack flag – and mistook him as a brave military fighter who was not only the last survivor of Piper’s Fort, but as someone who had fought until the bitter end. Following Flashman’s return to England, the British officer met two people who would endanger his life on the European continent four years later – future chancellor and creator of modern day Germany, Otto von Bismarck; and the Irish-born actress/dancer (if you can call her one) and courtesan, Rosanna James aka Lola Montez. He had met the pair while fleeing from a whorehouse being raided by the police. Being a lustful ladies’ man, Flashy managed to charm Rosanna (or Lola) into a tumultuous affair. And being a vindictive scoundrel, he made an enemy out of Bismarck by manipulating the latter into a boxing demonstration with the famous boxer John Tully. Eventually, Flashman grew weary of Lola’s penchant for using a hairbrush on his backside during sex and ended the affair on a bad note. Four years later, Flashman received a letter from Lola, now mistress of King Ludwig I of Bavaria, asking him for a favor. Upon his arrival in Bavaria, Flashman is framed for the attempted rape of Bavarian countess by Lola and ended up in the clutches of Bismarck and his top henchmen, Rudi Von Sternberg. The pair coerced him into impersonating a Danish prince named Carl Gustaf, set to marry the Duchess Irma of Strackenz. According to Bismarck, the real Prince Carl had contacted a sexually transmitted disease, making it impossible for him to marry the Duchess. As Flashman will eventually discover, Bismarck’s reasons behind this deception are a lot more devious. The German politician did not wish for the Duchess to marry a Dane, since the marriage might tilt the balance on the Schleswig-Holstein Question and interfere with his plans for a united Germany.

Many years have passed since I last saw "ROYAL FLASH". Many years. And after reading several articles about its shortcomings, I really did not expect to enjoy it as I had done in the past. And yet . . . I did. Very much. Yes, I found some of the slapstick humor rather annoying. I can definitely say this about the sequence that featured the police raid on the London brothel, Flashman’s rather silly attempt to prove his marksmanship to the Bavarian military officers, and his duel against Rudi Von Sternberg inside the dungeon that held the real Carl Gustaf. But there were some slapstick moments that struck me as hilarious. One scene involved Flashman (in disguise as Prince Carl) accidentally smashing a bottle against the head of some poor chump during the christening of Strackenz’s new rail train. Another hilarious scene involved Flashman’s "honeymoon" night with the frigid Duchess Irma; along with Flashman’s attempts to escape from Bismarck and his thugs during his indoctrination as the fake Prince Carl. Also, the movie ended with a witty and rather funny duel of “Hungarian” roulette between Flashy and Von Sternberg, after the latter managed to interrupt Flashy’s flight from Germany.

Hardcore fans of THE FLASHMAN SERIES have condemned the choice of Malcolm McDowell for the role of Harry Flashman. It is quite apparent that the actor bore no physical resemblance to the fictional Flashman. But as far as I am concerned, McDowell more than made this up with his superb performance as the amoral and cowardly British officer. Personality wise, McDowell captured Flashman’s personality to a T. For me, he was Flashman personified.

There were other actors who struck me as perfectly cast in their roles – Oliver Reed as the manipulative and vindictive Otto von Bismarck, Britt Ekland as the beautifully cold Duchess Irma, Joss Ackland as the intimidating Danish patriot Sapten, and an unknown Bob Hoskins as the persistent London police officer who led the raid on the whorehouse. I also enjoyed Lionel Jeffries and Tom Bell as two of Bismarck’s thugs – Kraftstein and DeGautet. I must admit that it took me a while to warm up to Alan Bates’ performance as Bismarck’s top henchman, the Hungarian-born Rudi Von Sternberg. His Rudi seemed cooler, more mature and less jovial than Fraser’s literary version. But in time, I learned to appreciate Bates’ slightly different take on the role. However, the one performance that failed to impress me belonged to Brazilian-born actress, Florinda Bolkan, who portrayed the fiery Lola Montez. The filmmakers not only made the mistake of casting a Latin actress in the role, Lester allowed her to portray Lola as a Continental European. After all, the character was originally the Irish-born Rosanna Gilbert James before becoming the famous dancer, Lola Montez. Either Ms. Bolkan should have portrayed Lola as Irish, or Lester and the other filmmakers should have cast an Irish actress or one from the British Isles in the role.

Thankfully, there is a great deal more to enjoy in "ROYAL FLASH". George MacDonald Fraser did a first-rate job of adapting his novel into a screenplay. In fact, I found it a little more enjoyable than his novel. Anyone who has seen the "MUSKETEER" movies must know that Lester had incorporated more realistic style fencing in the movies’ fight scenes. In other words, the sword fights featured a great deal of more bashing and kicking than any elegant swordplay. Thankfully, "ROYAL FLASH" provided more elegance in its sword fights. I especially enjoyed McDowell’s skills during the kitchen fight sequence that turned out to be a fake rescue perpetrated by Von Sternberg. The legendary cinematographer Geoffrey Unsworth did an excellent job of capturing the beauty of German locations featured in the film. However, I could have done without that soft focus look that seemed to scream "period piece". Utilizing Unsworth’s photography, Alan Barrett’s costume designs and Terence Marsh’s production designs; Lester managed to effectively recapture England and Germany during the 1840s.

I realize there are hardcore fans of THE FLASHMAN SERIES who will never accept "ROYAL FLASH" as a worthy adaptation of Fraser’s 1970 novel. But you know what? Who cares? Seeing it again after so many years, made me realize that it had not lost its touch. At least not for me. In fact, I believe that the movie deserves a better reputation than the one it has possessed for nearly five decades.